Creative Writing How To Describe A Character

Creative Writing How To Describe A Character-62
(I speak from experience.)Work on your writing skills first, then work on a story with a complicated plot. An antagonist is the person or thing that causes your protagonist all the drama. Usually they’re a secondary character, but sometimes they can also be a deuteragonist and even a narrator, too.A deuteragonist is the second-in-command to your protagonist. I don’t like that word, because it makes them seem less important. The mentor is the person that guides your protagonist through their journey (whatever that may be).She was still stout and round, but a bone spur on her right ankle forced her foot out at an odd angle.

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What’s your favourite type of character to write and why?

When people call Anton Chekhov the greatest short story writer, they often talk about how quickly he develops characters.

Sometimes there’s more than one, but if you have more than two, you’re going to start overcomplicating things.(See previous point about having too many protagonists.)Ron and Hermione from are good examples of secondary characters.

They’re three-dimensional, but it’s clear that the story doesn’t revolve around them.

A flat character is someone we don’t need to know anything about. They don’t really help to move the story along, but they do help your protagonist with something or other.

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Everything from bartenders to pets can be flat characters.You still want them to forget all about you and focus on the actions of your characters.A secondary character is the one who joins your hero for their journey.In “The Lady with the Dog,” for instance, he sums up a gentleman in Moscow this way: After the main character reveals the tiniest bit of his feelings about a woman to a friend at a dinner club, the friend says, “You were quite right, you know—the sturgeon was just a show the reader a character.They reveal something about the way the world works or the way a character interacts with that world. To see how she does it, check out her story “Walking Stick.” You can read it now at How the Story Works Here’s how Kelli Ford describes one character: “At sixty-seven, Anna Maria did not hurry with much these days.They’re not central to the story, and they’re not along for the ride.They may, however, play a crucial role in a part of the protagonist’s journey, such as Lupin teaching Harry about dementors.We know less about tertiary characters than protagonists or secondary characters, but that doesn’t mean that we don’t still care about them or want to know more.Many of the teachers at Hogwarts, such as Lupin, fall into this category.But there are some types of characters that every story must have.Once you’re aware of character type, you’ll find yourself noticing it more and more in what you read and watch.

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