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It’s hard to further downsize a hobbit, but the movies have done it.As crazy as I am (friends will abundantly testify) about the Jackson movies, I was dismayed by so much screenwriting aimed at knocking down the main character.
According to screenplay, Sauron’s agents have already seen the Dark Lord’s One Ring at Osgiliath.
Not only does this script change pull down Frodo, it does not bear much scrutiny.
Logic and notions of continuity vanish when body slammed with Such a flood of data enters in through eyes and ears that the viewer can’t process.
Tolkien tells us that during this confrontation at Weathertop it is Frodo’s three companions who are lying on the ground, quivering.
For some reason, however, Jackson robs Frodo of this gesture of hopeless courage. Over and again in we see Elijah Wood with his head tilted, his blue eyes rolled heavenward, a veritable Lamb of God. In the ancient stories, the sacred victim possesses potency. It is their strength that is magically made available to the tribe when their blood is shed.
The film Frodo quails as the others are tossed aside. By constantly underlining Frodo’s fears and doubts and never showing his bravery, Jackson removed an essential heroic quality.
I’m one of those geeks who wore a “Frodo Lives” pin through the 60’s.
Frodo Baggins was my hero, then and now, and not even the glorious spectacle created by Peter Jackson can make me forget that.
Why would Frodo go up onto the wall to offer the Wraith the One Ring? A crouching shape, scarcely more than the shadow of a living thing, a creature now wholly ruined and defeated, yet filled with a hideous lust and rage; and before it stood stern, , a figure robed in white, but at its breast it held a wheel of fire.
We haven’t had any build up to such an extreme loss of will, except in terms of his desire to put the Ring on when the Wraiths are present, exerting their evil influence.