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Galland, have come to be seen as the core of what most characterizes the as a whole (Aladdin, Ali Baba, even Sindbad himself), might lead us to call him more their creator than their translator.The earliest English translation of Galland (by the so-called "Anonymous Grub-Street Hack": rather a strange name under which to achieve immortal fame) is now fortunately available in its entirety in the Oxford World's Classics series.
Tartars, Persians, and Indians, than is to be met with in any Author hitherto published. Galland was translated, anonymously, into English almost as soon as his volumes started to appear, and (variously supplemented) his translation provided the basis for all subsequent English versions until Lane's translation began to appear in 1838.
It's no exaggeration to call Galland a storytelling genius.
The influence his work has had on European culture is incalculable (whether or not it's true that French guttersnipes used to gather under his bedroom window at night and yell out "Please, my sister, if the Sultan pleases, tell me another one of those tales of which you possess such a great store" until he gave in and cranked out another volume for them, I'll leave you to determine).
The liberties he took with the text were considerable - some would say unforgiveable - but the fact that the various textually-unwarranted additions he made to the "pure" Ms.
The last substantial revision and reediting of it was by Lane's nephew Stanley Lane-Poole in the early twentieth century, once available in a beautiful little pocket edition from Bohn's Library: Tales from the Arabic of the Breslau and Calcutta (1814-’18) Editions of the Book of the Thousand Nights and One Night, Not Occurring in the Other Printed Texts of the Work; Now First Done into English (conflated from the Bulaq and Macnaghten texts) for private circulation only.
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It's alleged that he did most of his work whilst travelling around London on the roof of a horse-drawn bus, glancing up from time to time to make sure that the weather wasn't going to damage his precious dictionaries and manuscripts.
His fatal error was to issue his translation in 500 copies only, with a pledge (presumably for leagal reasons) never to reproduce it in any way.
As a result, his work exerted very little influence over the reading public, and the field was left open for his great friend (= rival) Sir Richard Francis Burton, who thus was able to scoop the pool.
For this reason, his text is little read today, though it has had almost as great an influence as Galland's on subsequent bowdlerised retellings for children (Andrew Lang's included).
Lane's is the last version of the which could be called at all suitable for children.